Dada often used public gathering, demonstrations and publishing art/literary journals with passionate coverage of art, politics and culture. Dadism later influenced the avant-garde, surrealism and pop art.
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| Marcel Duchamp, 1917, Fountain. Ceramic, glazed ceramic,
61 cm x 36 cm x 48 cm,
Tate Modern
|
"Dada is the groundwork to abstract art and sound poetry, a starting point for performance art, a prelude to postmodernism, an influence on pop art, a celebration of antiart to be later embraced for anarcho-political uses in the 1960s and the movement that lay the foundation for Surrealism"
(Marc Lowenthal, translator's introduction to Francis Picabia's I Am a Beautiful Monster: Poetry, Prose, And Provocation)
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| Marcel Duchamp, 1919, Mona Lisa parody "LHOOQ". Post card reproduction with added moustache, goatee and title in pencil, 19.7 x 12.4 cm |
So how does this fit within our ideas for our zine? Zine's ignore the aesthetics and traditions of normal publishing and magazines; they are low cost, self distributed, no capitalist element etc. Therefore, it could be argued that Zines are almost a Dadaist version of magazines. However, Dadaism comes into our zines as it is seen as a movement that influenced Surrealism, something I am exploring for the design of my pages for the zine and perhaps other pages too.
Richter, Hans (1965), Dada: Art and Anti-art, Oxford Univ Press
Marc Lowenthal, translator's introduction to Francis Picabia's I Am a Beautiful Monster: Poetry, Prose, And Provocation


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